From Chapter 10 of The Yearling:
He pointed. "The whoopin' cranes is dancin'."
Jody saw the great white birds in the distance. His father's eye, he thought, was like an eagle's. They crouched on all fours and crept forward slowly. Now and then Penny dropped flat on his stomach and Jody dropped behind him. They reached a clump of high saw-grass and Penny motioned for concealment behind it. The birds were so close that it seemed to Jody he might touch them with his long fishing pole. Penny squatted on his haunches and Jody followed. His eyes were wide. He made a count of the whooping cranes. There were sixteen.
The cranes were dancing a cotillion as surely as it was danced at Volusia. Two stood apart, erect and white, making a strange music that was part cry and part singing. The rhythm was irregular, like the dance. The other birds were in a circle. In the heart of the circle, several moved counter-clock-wise. The musicians made their music. The dancers raised their wings and lifted their feet, first one and then the other. They sank their heads deep in their snowy breasts, lifted them and sank them again. They moved soundlessly, part awkwardness, part grace. The dance was solemn. Wings fluttered, rising and falling like out-stretched arms. The outer circle shuffled around and around. The group in the center attained a slow frenzy.
Suddenly all motion ceased. Jody thought the dance was over, or that the intruders had been discovered. Then the two musicians joined the circle. Two others took their places. There was a pause. The dance was resumed. The birds were reflected in the clear marsh water. Sixteen white shadows reflected the motions. The evening breeze moved across the saw-grass. It bowed and fluttered. The water rippled. The setting sun lay rosy on the white bodies. Magic birds were dancing in a mystic marsh. The grass swayed with them, and the shallow waters, and the earth fluttered under them. The earth was dancing with the cranes, and the low sun, and the wind and sky.
Jody found his own arms lifting and falling with his breath, as the cranes' wings lifted. The sun was sinking into the saw-grass. The marsh was golden. The whooping cranes were washed with gold. The far hammocks were black. Darkness came to the lily pads, and the water blackened. The cranes were whiter than any clouds, or any white bloom of oleander or of lily. Without warning, they took flight. Whether the hour-long dance was, simply, done, or whether the long nose of an alligator had lifted above the water to alarm them, Jody could not tell, but they were gone. They made a great circle against the sunset, whooping their strange rusty cry that sounded only in their flight. Then they flew in a long line into the west, and vanished.
Penny and Jody straightened and stood up. They were cramped from the long crouching. Dusk lay over the saw-grass, so that the ponds were scarcely visible. The world was shadow, melting into shadow. They turned to the north. Jody found his bass. They cut to the east, to leave the marsh behind them, then north again. The trail was dim in the growing darkness. It joined the scrub road and they turned once more east, continuing now in a certainty, for the dense growth of the scrub bordered the road like walls. The scrub was black and the road was a dark gray strip of carpet, sandy and soundless. Small creatures darted across in front of them and scurried in the bushes. In the distance, a panther screamed. Bull-bats shot low over their heads. They walked in silence.
What a beautiful experience! Like Jody, I found myself wanting to lift my arms in the dance, I wanted to sway back and forth, up and down, to the song of the cranes. I wanted to lay back and soak in every speck of the experience. I walked away from this chapter in silence too - seeing only the majestic birds dancing before an audience of one - dancing before their maker. What a beautiful experience!
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